To the attention of poets and prose writers!
We invite you to publish your works in magazines "Literary Capital", "Russian Literature" and "Literary anthology" Sputnik ", and also in "Krylov collection"!
Our "thick" literary magazines "Literary Capital", "Russian Literature" and "Literary Almanac" Sputnik "are independent and not biased journals that publish on their pages works of all genres: poetry, prose, essays, memoirs, reviews, etc. ...
You do not need to be a member of any Writers' Union (for a creative person, this is not the main thing!) To be published in "Literary capital", "Russian Literature" and "Literary anthology" Sputnik " You do not need to wait for years, as it happens in thick literary magazines, until one of the snob-editors deigns to pay their highest attention to your manuscript, and then ... throw it in the trash! Our magazines will print you quickly and efficiently!
What do you need to do to publish? Just one thing - send us your works! The cost of typesetting and proofreading is 300 rubles. per standard page (1800 characters for prose or 30 lines for poetry). The magazines are sent to the largest libraries in the country. Circulation - over 2000 copies, in a color cover, on good white paper. Talented artists and designers are involved in the design of the magazines. 2 copies are given out on hand. each magazine. When publishing works of more than 10 pages, a 10% discount on typesetting and proofreading. No royalties are paid.
Why write "on the table", hoping that someone will print you someday? You have a great opportunity to take the fate of your own works into your own hands! Publish in the "Literary Capital", "Russian Literature" and in the "Literary anthology" Sputnik ", and our entire huge country will learn about your literary abilities!
You can send us your texts through the form on the website or by regular mail, as well as personally bring them to the editorial office.
LITERARY JOURNALS IN RUSSIA include literary-artistic, literary-political, critical-bibliographic, historical-literary, satirical, humorous and other magazines. In Russian journalism of the 19th and 20th centuries. the most widespread and successful were literary and political journals, but also for magazines of a different type of this time, when literature was a kind of "public tribune" (in the words of A.I. Herzen), it was characteristic for a veiled or direct discussion of topical political and social problems. Therefore, the history of Russian literary magazines, as well as Russian journalism and periodicals in general, turned out to be closely related to the political history of the country.
The first Russian magazine was "Monthly Compositions, Employees for Benefit and Amusement" (1755-1764), published by the Academy of Sciences: sometimes original and translated poems were published here, but scientific works and academic reports prevailed.
The first literary and, at the same time, the first private magazine in Russia - "Hard-working bee" (1759) by A.P. Sumarokov, most of the materials of which were the works of the publisher himself. The example of Sumarokov was followed by the teachers and graduates of the St. Petersburg Land Gentry Corps who participated in the "Hardworking Bee": they began to publish their own magazine - "Idle time, in favor of the used" (1759-1760). In Moscow, the first literary journals were published at the university: Useful Amusement (1760-1762) and Free Hours (1763) by MM Kheraskov, Good Intention (1764) by VD Sankovsky, and others. Freethinkers were dedicated to "Innocent Exercise" (1763) by ER Dashkova (in fact, the editor was IF Bogdanovich).
In 1769, Catherine II organized the publication of the satirical weekly "Anything and everything", which came out in the form of separate "sheets". This type of publication immediately came into vogue: it was followed by "Both this and this" (1769) by M.D. Chulkov, "Neither this nor this" (1769) by V.G. Ruban, "Useful with pleasant" (1769) And F. Rumyantseva and I.A. de Teils, "Mixture" (1769) and "Infernal Mail" (1769) by F.A. Emin, as well as "Drone" (1769-1770), "Pustomel" (1770), "Painter" (1772-1773) and "The Purse" (1774) by NI Novikov, and in the journals of Emin and Novikov there were polemics with the complacent view of "Anything and everything" on human weaknesses and the need to eradicate social evils was asserted. Later, the traditions of satirical journalism were continued by NI Strakhov's Satirical Herald (1790–1792) and IA Krylov's magazines Mail of Spirits (1789), Spectator (1792) and St. Petersburg Mercury (1793) ...
In the 1770s-1780s, publications multiplied, striving to instill in the reader a taste for fine literature: Evenings (1772) by M.M. Kheraskov, St. Petersburg Bulletin (1778-1781) by G.L. Braiko, Utra (1782) PA Plavilshchikov, "Morning Hours" (1788-1789) by IG Rachmaninov and others. Of these, the "Interlocutor of lovers of the Russian word" (1783-1784) stands out. public opinion towards the government (the official editor was the President of the Academy E.R. Dashkova, unofficially the publication was supervised by Catherine II herself, who regularly published her works here). Masonic editions enjoyed great influence, in which religious and didactic works predominated: Morning Light (1777-1780), Moscow Monthly Edition (1781) and Evening Dawn (1782) Novikov, The Resting Hard Worker (1784-1785) ), published by the Friendly Scientific Society at Moscow University, "The Conversing Citizen" (1789) - the organ of the Society of Friends of Verbal Sciences in St. Petersburg, and others. The first Russian magazine for children "Children's reading for the heart and mind" ( 1785-1789) Novikov (editors - N.M. Karamzin and A.A. Petrov). Translated fiction was regularly published on the pages of the entertainment magazine "City and Country Library, or Fun and Pleasures of Mind and Heart in Leisure Time ..." (1782–1786). In the 1780s, the first literary journals appeared in the provinces: "Solitary Poshekhonets" (1786–1787) by VD Sankovsky in Yaroslavl, “Irtysh Turning into Ippokrena” (1789–1791) by P.P. Sumarokov in Tobolsk, and others.
A new word in Russian journalism was the publication of N.M. Karamzin "Moscow Journal" (1791-1792), where, along with poetry and prose, special sections of literary and theatrical reviews were first introduced, and the reader was informed not only about domestic, but also about European literary novelties and theatrical productions (in the early 19th century, review departments became an indispensable part of almost any literary journal, and for example, the publication of the Karamzinist PI Makarov "Moscow Mercury" (1803-1804) was almost exclusively devoted to criticism and bibliography) ... Behind the heterogeneous material, the figure of the publisher was clearly visible - a humane, European-enlightened author, looking at whom the reader had to learn to feel and think. Karamzin, on the other hand, created the first Russian political journal, in which the literary part remained very significant, - Vestnik Evropy (1802–1830; Karamzin himself edited the magazine in 1802–1804).
At the beginning of the 19th century. many magazines, directly or indirectly, were the printing organs of literary societies that arose at that time. Thus, under the Free Society of Lovers of Literature, Sciences and Arts, the "Scroll of the Muses" (1802–1803), "The periodical of the Free Society of Lovers of Literature, Sciences and Arts" (1804), as well as "The Journal of Russian Literature" (1805) by N. P. Brusilov, "Northern Herald" (1804-1805) and "Lyceum" (1806) by II Martynov, "Flower Garden" (1809-1810) by AIBenitsky and AE Izmailov; at the Conversation of lovers of the Russian word - "Readings in the Conversation of lovers of the Russian word" (1811-1816); at the Free Society of Lovers of Russian Literature - "Competitor of Enlightenment and Benevolence" (1818-1825) and "Nevsky Spectator" (1820-1821). A kind of "home" enterprise, designed for an undemanding audience, but at the same time, Blagonamerenny (1818–1826) by A.E. Izmailov was quite popular. From magazines beginning. 19th century a long life was destined only to the "Son of the Fatherland" (1812-1852), created in polemics with "Vestnik Evropy" (1812-1852) by N.I. Grech: its subtitle stated that it was "a historical, political and literary journal" (the last word in the subtitle appeared in 1814). The spirit of the struggle against "Gallomania" was also imbued with the "Russian Bulletin" (1808–1820, 1824) by S.N. Glinka and “Otechestvennye zapiski” (1818–1830) by P.P. Svinin. An important place in the literary life of the first third of the 19th century, especially in the 1820s, was occupied by almanacs that successfully competed with the magazines: "Polyarnaya Zvezda" by K.F. Ryleev and A.A. Bestuzhev, "Mnemosyne" by V.F. Odoevsky and V. K. Küchelbecker, "Northern Flowers" by A. A. Delvig and O. M. Somov, and many others. dr.
A new stage in the history of Russian journalism is associated with the formation in the late 1820s – 1830s of a mass readership, which created the preconditions for commercial journalism. Commercial editions of the encyclopedic type - the so-called "thick magazines", appeared, the first of which was "Moscow Telegraph" (1825–1834) by N.A. Polevoy. It was followed by "Moskovsky Vestnik" (1827-1830) by MP Pogodin - the organ of a circle of wisdom, "Telescope" (1831-1836) by NI Nadezhdin, "European" (1832) by IV Kireevsky, closed by the authorities on the second issue, "Library for Reading" (1834-1865), created by O. I. Senkovsky, "Moscow Observer" (1835-1839) and others. The most widely read magazine of this kind were "Otechestvennye Zapiski" (1839-1867) . A. Kraevsky, whose glory in the 1840s was created by articles by V. G. Belinsky (in 1868-1884 the magazine was published by other persons). Less successful were "Mayak" (1840-1845) S. K. Burachka, "Finnish Bulletin" (1845-1847) F. K. Dershau and others. All literary magazines at this time are in the hands of private individuals: the only state publication, devoted largely to literary issues, remains the "Journal of the Ministry of Public Education" (1834-1917).
The appearance of magazines in the 1840s and later was largely determined by the views and party preferences of the publishers, therefore, passing from hand to hand, the magazine could change beyond recognition. Such was the fate of Sovremennik, created in 1836 by A.S. Pushkin, edited by P.A. Pletnev, who was far from politics, until 1846, and in 1847-1866, under the leadership of N.A. Nekrasov, became the center of radical revolutionary criticism and journalism. So it is with the "Otechestvennye zapiski", founded by Kraevsky in 1839, which sharply "corrected" after Belinsky's departure in 1847 and again "left" in the hands of Nekrasov and ME Saltykov-Shchedrin (1868-1884). Some old journals were renewed under the same name, but already had a completely different direction: for example, Vestnik Evropy (1802–1830, 1866–1918), renewed by MM Stasyulevich in 1866 as a moderately liberal publication.
In the 1850s and 1860s, the main type of literary magazine finally became a thick magazine "with direction", dominating until the early 20th century. Revolutionary-democratic journals - Sovremennik and Otechestvennye zapiski (in the hands of Nekrasov and Saltykov-Shchedrin) ... The journals that united the radical-minded so-called. "Nihilists" - "Russian Word" (1859-66) and "Delo" (1868-88). Moderate liberal edition "Vestnik Evropy" by Stasyulevich and other Slavophil magazines - "Moskvityanin" (1841-1856) by MP Pogodin, "Russian conversation" (1856-1860) by AI Koshelev and IS Aksakov. Dostoevsky's "soil" journals "Time" (1861-1863) and "Epoch" (1864-1865) and close to them "Zarya" (1869-1872) by VV Kashpirev. Underlined by the "protective" tendency in journalism of that time was the "Russian Bulletin" (1856-1906) by M. N. Katkov, in which the best examples of Russian prose were published (including almost all the novels of I. S. Turgenev, F. M. Dostoevsky, L.N. Tolstoy, A.F. Pisemsky, all the major works of N.S. Leskov and many others).
Along with the "thick" magazines, satirical journalism flourished at this time: "Iskra" (1859-1873) by V. S. Kurochkin, "Gudok" (1859-1862) by D. D. Minaev, "Alarm clock" (1865-1871) N.A. Stepanov (in 1873 the magazine was resumed as a humorous one and existed until 1917, in 1881-1887 its editor was A.P. Chekhov) and others. 1860s, a pronounced political trend: "Fragments" (1881-1916) by N.A. Leikin and (from 1905) by V.V. Bilibin, "Dragonfly" (1875-1908) by I.F. Vasilevsky (from 1879) , "Satyricon" (1908-1914) by A.A. Radakov and A.T. Averchenko, "New Satyricon" (1913) by the same Averchenko and others.
In the 1870s – 1890s, magazines “with direction” are represented, in addition to the earlier ones, by the populist and non-nationalist magazines “Russian wealth” (1876–1918), “Russian thought” (1880–1918), etc .; the legal Marxist journals "The World of God" (1892-1906), "Modern World" (1908-1916), "Letopis" (1915-1917; founded by M. Gorky), etc .; liberal democratic publications, such as "Journal for All" (1896-1906) by V.S. Mirolyubov and others; magazines of the "protective" direction "Observer" (1882-1901, 1904), "Russian Review" (1890-1898, 1901, 1903) and others. However, less tendentious publications appeared: for example, an illustrated magazine "for family reading" " Picturesque Review "(1872-1902, 1904-1905). A special place was occupied by the literary and historical journals "Russian Archive" (1863-1917), founded by PI Bartenev, and "Russian antiquity" (1870-1917), founded by MI Semevsky. At the same time, Dostoevsky created the original form of a mono-journal - "The Diary of a Writer" (1876-1877, 1880, 1881), followed by the "Diaries of a Writer" by D.V. Averkiev (1885-1886), A.V. Kruglov (1907 –191 4), FK Sologub (1914).
In the beginning. 20th century Among the huge number of different types of literary magazines (only humorous editions were about 400), there were "aesthetic" editions of artists and Symbolist writers "World of Art" (1899-1904), "Libra" (1904-1909), "Golden Fleece" (1906 –1909), Apollo (1909–1917) and others.
The revolution of 1917 and the civil war became a milestone in the history of literary magazines in Russia. From that time until 1990, state control was exercised over literature and journalism. Literary journals are founded with the approval of the government, more often at its direction.
The first Soviet literary and artistic publication of the type of pre-revolutionary "thick" magazines was Krasnaya Nov '(1921-1942), organized by A.K. Voronsky (headed the magazine until 1927). It was followed by the existing to this day "Young Guard" (1922-1941, from 1948), "October" (from 1924), "Star" (from 1924), "New World" (from 1925). In the 1920s, a number of critical-bibliographic and literary-theoretical journals were published serving various literary groups - supporters (of varying degrees of radicalism) of "proletarian art" ("On the post", 1923-1925; "On a literary post", 1926-1932) , futurists who were part of the literary association "Left Front of the Arts" ("LEF", 1923-1925; "New LEF", 1927-1929 - both edited by V.V. Mayakovsky) and others. The most significant critical and bibliographic publication of this period was the journal "Printing and Revolution" (1921-1930), often representing the official, but rather moderate point of view (the executive editor was V.P. Polonsky). The journals Literatura and Marxism (1928–1931) by VM Fritsche and VF Pereverzev and RAPP (1931–1932) were mainly devoted to literary and theoretical issues. A remarkable achievement of the 1920-1930s was the publication of magazines for children: Murzilka (since 1924), Pioneer (since 1924), Hedgehog (1928-1935), Siskin (1930-1941), etc.
The struggle of literary associations of the 1920s was stopped by the party decree "On the restructuring of literary and artistic organizations" (1932) and the creation of the Writers' Union of the USSR (1934). The party line was explained in the specially created critical-bibliographic journals Literaturnaya Ucheba (1930–1941) and Literary Critic (1933–1940), to which Literaturnoe Obozreniye was published as an appendix. For the needs of the school, the journal Literatura v Shkola (1936-1941, from 1946) was published. Achievements of socialism were devoted to the "magazine of artistic sketch", created by M. Gorky, "Our achievements" (1929-1936). In 1931, the thick magazine Znamya, originally intended for the Red Army and Navy, began to appear. Literary journals are being actively created in the provinces and on the national outskirts.
A new surge in the development of Soviet journalism falls on the time of the so-called. "Thaw". Cm... LITERATURE Thaw. At this time, new journals appeared: Foreign Literature (since 1955), Youth (since 1955), Druzhba Narodov (since 1955, irregularly published as an almanac since 1939), Neva (since 1955), Moscow "(Since 1957)," Our Contemporary "(since 1964, has been published irregularly as an almanac since 1956). Some journals that originated in the 1920s but reached their peak in the 1950s – 1960s are undergoing major reorganization. Specialized literary journals "Questions of Literature" (since 1957) and "Russian Literature" (since 1958) and many thick journals in the regions: "Don" (Rostov-on-Don, since 1957, irregularly published as an almanac since 1946), "Ural" (Sverdlovsk, since 1958) and others. Later, a number of journals appeared in the provinces: Sever (Petrozavodsk, since 1965), Volga (Saratov, since 1966), etc. The journal Aurora has been published in Leningrad since 1969.
In the 1970s, in connection with the party decree "On Literary and Artistic Criticism" (1972), the critical-bibliographic journals "Literary Review" (since 1973) and "Literary Study" (since 1978) were revived.
The "thick" magazines enjoyed great popularity during the perestroika era of 1985 and the early 1990s, when they discussed social problems and published previously prohibited works. An unprecedented excitement was caused by the so-called. "Returned literature": Russian writers-emigrants of the first, second and third waves. Of great interest were publications that revised the official historical concept, and works of art on historical topics (especially from the era of Stalin). Gradually, however, the public's attention was largely diverted by contemporary political news and events.
The newest period in the history of journalism begins in 1990-1991, when the possibility of publishing private magazines appears. But at the same time, the authority of literature itself is falling and the circle of readers of literary, especially once so popular, thick magazines is sharply narrowing. Among the publications that appeared in the 1990s, one can single out Continent (since 1990, published in Paris since 1974), New Literary Review (since 1992), which combines the latest literature and literary criticism, New Youth (since 1993), "Arion" (since 1994) - a journal of contemporary poetry, which publishes poetry, poetry prose, translations, essays, archival materials, literary articles.
Vladimir Korovin
Email: [email protected](editor-in-chief Boris Markovsky)
"Lava"
Literary almanac of the Kharkov poetry club "Aval". Publishes poetry, short prose, translations, criticism, journalism, reports from literary festivals. Language: Russian, Ukrainian, Belarusian (without translation).
Editor-in-chief: Ekaterina Derisheva.
E-mail: [email protected]
"Lamp and chimney"
Lamp and chimney is a Russian literary and art magazine, published in Moscow since 2011, 4 times a year. The volume of the journal is 240-280 pages.
The publication publishes formatted and non-formatted literature of all genres, trends, trends, schools. The authors of the journal are well-known writers, critics, university professors, researchers, as well as novice authors writing in Russian.
Journal attachments:
Vremya LD is a discussion club in which materials for broad discussions are published in real time. In the application, fiction, journalistic, literary and popular articles are reviewed daily. The best materials are selected for the printed issues of the "Lamp and Chimney" magazine.
LD Avangard - a special supplement, a section in the paper edition "Lamp and Chimney", occupying up to 1/5 of the total number of pages of the magazine. The appendix publishes avant-garde (or modernist) literature. The site of the application "LD Avangard" has been created and operates.
Chief Editor - German Arzumanov.
"Lexicon"
Online magazine, Chicago.
Created for creative people and those who have something to say. If you consider yourself one of those, send us your work, we will definitely consider them and publish the best ones. It can be stories, poems, paintings, photographs, magazine articles - everything that will please not only your close friends, but also those you do not know yet.
E-mail: [email protected]
Lechaim
Monthly literary and journalistic magazine, published since 1991 with a total circulation of 50,000 copies. It brings together a variety of genres - fiction, criticism, historical essays, political essays, reviews.
"Educational program"
Literary almanac.
We continue to adhere to the "paper" version of the update - a completely new issue is released every month. With regard to editorial policy, we welcome all new authors and reserve the right to carefully select their works.
"Literature"
Literature is a weekly digital magazine that publishes works of the most prominent representatives of modern Russian literature.
We can write and send manuscripts. However, according to the established tradition, you will not receive any reviews and perhaps even a sane answer. We publish the best, but each of them was once a beginner and became who is only because of faith in what he does.
Email: [email protected]
"Literary newspaper"
Social-political and literary newspaper.
Email: [email protected]
"Literary Russia"
Literaturnaya Rossiya publishes the ethnopolitical and literary-artistic magazine The World of the North, the almanac Litros, which contains the works of contemporary Russian writers, as well as the Library of Literary Russia - bibliographic reference books, monographs, and prose books.
"Literary studies"
Literary critical edition.
The journal focuses primarily on the publication of materials related to the modern literary process. We will also be glad to see analytical articles on online literature, as well as on contemporary literature of Russian regions (including St. Petersburg) and the Russian diaspora.
Email: [email protected] , [email protected]
"Literary Izvestia"
The printed organ of the Union of Writers of the XXI century and the Union of Writers of Russia. A newspaper about writers and for writers, as well as for all readers interested in culture.
Email: [email protected]
"Literary European"
The only monthly literary and journalistic magazine in Russian in Europe. Organ of the Union of Russian Writers in Germany. Participating Russian authors not only from Germany, but France, USA, Denmark, Czech Republic, Finland, England, Baltic countries. The journal covers the problems of contemporary Russian literary and social life in Europe and other countries. Prose, poetry, journalism, reviews, humor, topical materials. The authors are mainly representatives of the 4th wave of emigration.
